May the Fourth Be With You: Behind the Crawl

Every year, May the 4th is a fun excuse to celebrate great storytelling. Few things are more iconic than the opening crawl from Star Wars. This year, I set out to recreate that cinematic experience as a creative demo for Vaupel Video, while also putting my own spin on it.

Viewing the video, it seems pretty simple right? A logo move and text moving into space. In reality, there are several moving pieces working together to sell the illusion.

The foundation starts with the starfield background. Rather than using Google, I built a layered field of stars to create depth and subtle motion, helping the scene feel more like an expansive galaxy than a flat backdrop. And for my true Star Wars fans, you might notice the stars resemble the opening background from Empire Strikes Back.

From there, I developed the logo animation. It had to be perfect, the scaling and timing needed to match the original content. I wanted it to be clean, bold, and timed to match the pacing you’d expect from a cinematic opening.

The most recognizable element, of course, is the scrolling text crawl. This required careful attention to perspective, speed, and spacing. This required some skill and serious planning. It’s scaling and shifting in 3D space to create that signature “vanishing into the distance” effect. Timing is everything here; too fast and it feels rushed, too slow and you lose the audience. To build this, I made a pre-comp of the text with the width matching the final video, but the height long enough to include all the text. Next, a new comp with a 3D camera to simulate the effect. There was a lot of back and forth between comps to get the look right and make it easy to read.

Next step, we load that into a new composition (you’re still with me right?) Here, we brought it all together, each piece of the pie placed together for the final experience.

Another piece was the aspect ratio. I matched the original cinematic presentation used in Star Wars, 2:34:1, which helps reinforce the authenticity of the look and feel. It’s a small detail, but it makes a noticeable difference in how the final piece is perceived.

In total, this project took about 3 hours to complete. I could have shortened that, but I wanted this to look as much like the source material as possible, and in all modesty, I think we nailed it.

At the end of the day, this was just a fun project and a way to show the kind of work I enjoy doing—combining storytelling, design, and motion to create something that (hopefully) grabs your attention.

If you’re looking to create content that stands out (no lightsaber required), I’d love to connect.

Important note:
This video is a fan-inspired project created in celebration of Star Wars. All related trademarks, themes, and musical compositions are the property of their respective owners, including the legendary John Williams. This piece is intended for demonstration purposes only.

— Vaupel Video

A little honesty from someone in media production.

A lot of what we do in media production happens behind the scenes. What might look like a quick video or simple graphic often represents hours of work, years of learning, and a significant personal investment.

There’s also more to it than most people realize: timelines, revisions, planning, and staying available well beyond the original ask. What starts as a small project can easily grow, and without clear expectations, that extra work can quietly become the norm instead of the exception.

I was reminded of this while meeting with a group of students preparing to enter the media field. They’re talented, motivated, and ready to create; but they’re also stepping into an industry where this is a very real challenge. The excitement of “getting to do creative work” often meets the reality of scope creep, unclear boundaries, and the assumption that creative work is flexible by default.

And to be fair, this doesn’t always come from bad intent. In many cases, people simply don’t see the labor behind the work. They see a finished video, not the editing process. They see a graphic, not the revisions. They see a livestream, not the setup, troubleshooting, and coordination happening in real time.

I’ve been fortunate to work on some great projects with great people. But like many creatives, I’ve also said “yes” to things that didn’t come with much compensation—or even a simple public acknowledgment of the work.

If you’ve ever worked with someone in a creative field, please know this: giving credit, tagging their work, or recommending them publicly goes a long way. It helps sustain the very people you’re trusting to tell your story.

We don’t expect everything—but clarity, respect, and acknowledgment matter.

And for those just entering this field, this is one of the first real lessons: learning how to protect your time and value isn’t separate from being creative, it’s part of it.

It’s something I’m still learning myself, and something I try to pass on whenever I can.